![]() ![]() I expect that does not include some of the parts of plants discussed here, so the waste is likely even bigger. Some of what people toss is actually more nutritious - and especially good for gut health - than the parts most folk eat.Īn estimated 40% of food in the United States (worth $165 billion!) gets thrown out every year. Here are more than 40 ideas for eating root to stem! You may not realize that you’re throwing away some tasty and healthy food!įrom the greens on your turnips to the seeds of your melons, there are some terrific ways to make the most of all that great produce. In his words, ‘geometry is the theme on which nature plays her infinite variations and can be seen as a kind of pattern book on which the most complex and sophisticated structures are based.Root to stem eating is the perfect way to stretch your food budget and cut food waste. In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. His practice has always been informed and inspired by the study of natural phenomena and its subjective impact on our emotions. His public sculptures can be found in many locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others. In 2015 Peter was elected as a Royal Academician in the category of sculpture. His work is held in public and private collections throughout the world including Japan, South Korea, Australia, USA, Turkey, Eire, Germany and the Netherlands. He has undertaken numerous large-scale commissions and exhibited widely. The changing weather and seasons play across the sculpture’s undulating, tactile surface. ‘Seed’ is lit by the natural daylight filtering down through the central aperture. Peter wanted to separate this inner sanctum from the bustle outside to give the chamber a meditative and contemplative quality. In the manner of Rothko, who stipulated the dimensions and light conditions of the rooms in which his work should be seen, the chamber and artwork were conceived as one. ![]() The spiral pattern on which the sculpture is based bears no relation to a horizontal and vertical grid, which made the task particularly complex, involving as it did a balance between geometric accuracy and organic freedom. ![]() Its surface is carved with nearly 2,000 ‘nodes’. This monumental granite sculpture is constructed from a single piece of Cornish Granite, originally weighing over 167 tonnes, and took almost four years to complete. This pattern relates to the Fibonacci sequence and the golden proportion and can be seen in pinecones and sunflower heads amongst many other botanical examples. The result is a building whose roof structure is based on the geometric principles underlying plant growth.Īt the centre of the building is a specially designed chamber housing ‘Seed’, Randall-Page’s enormous granite sculpture based on the same spiral phyllotaxis pattern as the structure itself. In 2003 artist Peter Randall-Page was commissioned to collaborate with Jolyon Brewis of Grimshaw Architects on the design of a new education building for the Eden. ![]()
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